NAIROBI -When popular Kenyan comedian Mr KK died earlier this week, tributes flooded social media. But one message stood out — and not in a good way.
A condolence tweet from Kenya’s former deputy president sparked an outcry online, as many Kenyans accused him of paying lip service to a man he ignored during his lifetime.
“You failed to recognise him when he was alive. He tried to reach out to you, but you ignored,” wrote user @Bookten8, echoing the frustration of many.
Mr KK, known for his spot-on mimicry and viral skits, often impersonated the former DP in his comedy — making him a household name and bringing laughter to millions. But for some fans, the irony is bitter.
“You never once acknowledged his talent while he was alive — not even a meet-up,” read a widely-shared tweet from the UDA Party supporters’ page. “Now that he’s gone, you want to mourn him? Spare us.”
Others were more direct. “Stop the hypocrisy, Mr Anarchist,” wrote @PHIAMAX. “You failed to acknowledge him when he was alive, yet now you’re posting lengthy condolences.”
The backlash draws attention to a broader conversation around how artists and creatives are treated in Kenya – particularly those from humble backgrounds. Mr KK, despite his rising popularity online, reportedly struggled to gain formal recognition or institutional support during his life.
Alinur Mohamed, a known political commentator, weighed in: “I remember very well how biased you were when you chose that lady over him. You could have supported both.”
Mr KK’s comedy was often political, but not disrespectful. He walked a fine line — playful, sharp, and relatable. Yet the man he parodied never publicly acknowledged him. Some fans say that silence spoke volumes.
“You said his content didn’t please you,” one user claimed. “Then after the impeachment, the lady dumped you – and that’s when you started looking for KK.”
One rare voice in support came from the Atheists In Kenya Society, which praised the former DP’s tweet. “Thank you… You have a good heart. If you can remember such a humble artist,” the group wrote.
But for the most part, the criticism was sharp and unforgiving. Many felt the condolence came not from a place of sincerity, but public pressure.
“Itabidi ukae kando kidogo,” said one user, loosely translating to, “Kindly step aside — this space is for those who truly cared.”
At the heart of the outcry is a simple demand: give artists their flowers while they can still smell them.
Mr KK is gone -but the conversations he sparked in life, and now in death, continue to ripple through a country still learning how to value its own.
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